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sony rx100 iii exposure compensation

sony rx100 iii exposure compensation

Customizable controls. Indoors, incandescent lightingAuto setting produced overly warm results, though Incandescent was just slightly warm. Apr 14, 2015 Looking at the III. Fine detail in the mosaic crop for example is more realistic and refined-looking from the ACR conversion, while the in-camera JPEG is much cleaner and more contrasty, but isn't as detailed or accurate. Discover the RX100 III compact digital camera. 0°C to 40°C (32F° to 104F°).1080p video, Steady-Shot image stabilization,Rear control dial and customizable front control ring, Burst Mode (shots)-Approx10 fps,(VGA) Moving Image Size -640x480 30fps Approx3Mbps. Optical zoom : 3.6x (Optical Zoom during movie recording), Digital Zoom : Still images: 20M approx. Edge enhancement creates the illusion of sharpness by enhancing colors and tones right at the edge of a rapid transition in color or tone. There is the Sony Cyber-shot DSC-RX100 VA: It is more or less the same camera that you have but it is faster. Where oversaturation is most problematic is on Caucasian skin tones, as it's very easy for these "memory colors" to be seen as too bright, too pink, too yellow, etc. Normally, exposure is set automatically (auto exposure). Includes expandable Smart Accessory Shoe for system accessories. . Top, Sony DSC-RX100 Mark III. Connect your phone to the Sony RX100 V using WiFi or NFC. In Use. No exposure compensation required. As the name suggests, this scaling corresponds to the situation in which you print at a given size, regardless of how many megapixels the camera might have. The Sony RX100 III pushes some colors likes strong reds, dark blues, dark greens, purples and browns, but not as much as many camera, and it actually undersaturates light green, yellow and aqua tones moderately. Conclusion. Click for a larger version. ​ ELECTRONIC VIEW FINDER: retractable Tru-Finder EVF provides sharp resolution, bright self-illumination, and high contrast to view shots and adjust settings through a ZEISS T* coated eyepiece. Power Consumption : DC3.6 Volt (supplied battery) / DC5.0 Volt (supplied AC Adaptor). 1-Megapixel high sensitivity MOS sensor with the Venus engine excels in diffraction compensation, yielding images that are crisp & free from artifacts associated with small aperture settings, Rugged camera design - splash proof/dustproof rugged camera design with tight seals on every joint, dial and button, so it stands up to harsh weather conditions and challenging environments, 5-Axis Hybrid optical image Stabilizer Plus - Reduces Blur from one-handed video shooting by compensating for five types of movement. Below you can see the front view size comparison of Sony RX100 and Sony RX100 III. What’s New? Note that the RX100 III tends to use a slightly slow shutter speed of 1/30 or 1/40s with the flash in dim situations even at full telephoto, which could lead to some subject motion blur. Color is improved as well, with ACR producing slightly warmer and more accurate colors while removing much of the yellow-to-green shift seen in the JPEG bottle crop. Sharp, wide aperture lens. Raw support. In camera JPEGs of our laboratory resolution chart revealed sharp, distinct line patterns down to about 2,600 lines per picture height in the horizontal direction, and about 2,500 lines per picture height in the vertical direction. Results with the Incandescent setting were pretty good, just a bit warm. Angle At just 2.3 by 4 by 1.6 inches (HWD) ithe RX100 III is small enough to slide into your pocket, and it only weighs 10.2 ounces The Sony Cyber-shot DSC-RX100 III compact camera earns Editors' Choice accolades because of its image quality and excellent EVF, even despite its … (Our test lighting for this shot is a mixture of 60 and 100 watt household incandescent bulbs, a pretty yellow light source, but a very common one in typical home settings here in the U.S.). Table Of Contents Sony RX100 III Review Sony Cyber-shot DSC-RX100 III Short evaluation Ergonomics and workmanship Equipment Lens Picture quality Bottom line Fact sheet Short evaluation Sony DSC-RX100 III Datasheet Electronics Lens Viewfinder and Monitor Exposure Flashgun Equipment Size and weight Other Firmware update 2.00 for Sony DSC-RX100 III: For better underwater recordings Sony RX100 … Detail. Unfortunately, only a look into the camera manual will help here! Indoors, under normal incandescent lighting, color balance was warm and orange with the Auto white balance setting. Exposure compensation plus: 3: Exposure compensation minus-3: Expousure compensation steps: 1/3: ... Know detailed info about Sony DSC-RX100 II configuration, design and performance quality along with pros & cons, Digit rating, verdict based on user opinions/feedback. In the table above, we compare an in-camera JPEG taken at base ISO using default noise reduction and sharpening (on the left) to a matching RAW file converted with Adobe Camera Raw 8.6 using default noise reduction with strong but tight unsharp masking applied in Photoshop (in this case 400% USM with a radius of 0.3 pixels and a threshold of 0). Manual was pretty accurate, just slightly cool. Sony; Sony A9 III and new RX100 compact rumored to be close to double launch techradar.com - Mark Wilson. As technology advanced, the dynamic range of modern high-end cameras in some cases exceeded the range of the Stouffer T4110 density scale that we used for our own measurements. Sony Cyber-shot DSC-RX100 III Photo Gallery The Sony Cyber-shot DSC-RX100 VI is the newest version of your camera with a much better zoom, but it is much weaker in low light situations (2.8 vs. 1.8). The Sony RX100 III required no exposure compensation while most cameras require about +0.3 EV for this scene, so the RX100 Mark III performed better than average in terms of exposure here. This is also true of the fabric crop, where ACR was able to resolve much of the thread pattern in the red-leaf swatch which the camera's JPEG engine presumably treats as noise, and also does a much better job reproducing fine detail in the pink fabric. However, some cameras, such as the Sony RX100 M4 and M1, do not make it easy to set aperture and exposure simultaneously in manual mode (MF and M mode), especially when manual focus is set and a setting ring is occupied by this or another function. It covers a wider range than the 24-70mm f/1.8-2.8 zoom used by the RX100 III, and is brighter at the long end than the 28-100mm f/1.8-4.9 zoom that Sony used on both the original RX100 … More saturated colors are located toward the periphery of the graph. Sharpening and noise reduction at default JPEG settings have increased in aggressiveness compared to the first two models, resulting in a bit sharper detail but at the expense of increasing noise levels. Coverage, Exposure and RangeA weak flash with narrow coverage, but range is helped by the fast lens. At the intermediate ISO of about 800, the two cameras perform essentially the same in terms of dynamic range, but the Sony starts pulling away from the Nikon again at higher ISOs. Camera Guides gives you in depth focussed menu walk throughs for all the settings on your camera. Here, the Sony RX100 III did fairly well, producing reasonably natural-looking Caucasian skin tones that were a bit on the warm side, though they can sometimes appear overly pinkish depending on the ambient lighting. The effects can often be seen in shots of human hair, where the individual strands are lost and an almost "watercolor" look appears. Exposure Compensation: +/- 3.0EV in 0.3EV steps Metering Modes: Thus, hue-accurate, highly saturated colors appear as lines radiating from the center. Exposure Compensation: +/- 3.0 EV, 1/3 EV step, 20.2 MP Exmor"CMOS sensor - extreme low-light shots, Bright F1.8 Carl Zeiss Vario-Sonnar T lens with 3.6x zoom. You can always compare other models on DxOMark.com. The proof is in the pictures, so let Hue is "what color" the color is. The Sony Cyber-shot DSC-RX100 III doesn't zoom as far as the RX100 or RX100 II, but it captures more light at longer focal lengths. The RX100 III's handling of yellows and yellow-orange colors is one of its weaknesses: Yellows are rendered closer to a yellow-green, and significantly undersaturated as well. Shoppers often mention that this is the perfect point and shoot camera for their needs. The Sony Cyber-shot DSC-RX100 III Digital Camera is a versatile and advanced point-and-shoot featuring a large 20.1 megapixel 1" Exmor R CMOS sensor. ISO 80 and 125 produce very similar results, with very clean, crisp images containing almost no chroma noise. ResolutionVery high resolution, ~2,500 to ~2,600 lines of strong detail. The images above were taken from our standardized test shots. At ISO 3200, fine detail takes a larger hit, and the camera's aggressive processing produces images with a somewhat crystalline look. hybrid AF system (contrast + phase) which is great for action and wildlife photography, AF DETECTION: The most comprehensive phase detection coverage in a compact camera utilizing 315 Auto Focus points, SHOOTING SPEED: World’s fastest continuous shooting speed at 24fps3 w/ autofocus and auto exposure tracking to ensure exceptional high-speed photography, IMAGE SENSOR: 20.1 megapixel 1" Exmor RS stacked back illuminated CMOS sensor w/ DRAM for outstanding image quality and continuous shooting.Battery life(still images)(CIPA):Up to 330 shots / 165 minutes, 4K VIDEO: 4K movie w/ direct pixel readout, no pixel binning and fast hybrid AF make the RX100V one of the best cameras for vlogging, ​SUPER SLOW MOTION VIDEO: Up to 960 fps super slow motion movies, OPTICAL ZOOM: 3.6x zoom to get the most out of your compact camera, ​24-200mm F2.8-F4.5 ZEISS Vario-Sonnar T lens, World's fastest (0.03 sec) hybrid AF system (contrast + phase), Battery life:Up to 330 shots / 165 minutes, In-the-box: Rechargeable Battery Pack NP-BX1, AC Adaptor, Micro USB cable, Wrist Strap, Strap Adapter, ​ 4K video & 4K PHOTO - Panasonic’s exclusive 4K PHOTO technology uses 30 frames per second in high resolution 4K Ultra HD video to extract them as photos. Level shot function detects horizon line & maintains it, even if the camera is tilted. We're of course pixel-peeping to an extraordinary extent here, since 1:1 images on an LCD screen have little to do with how those same images will appear when printed. Sony RX100 III, IV, V, VI, VII Black Friday 2020 and Cyber Monday Deals – The Sony Cyber-shot DSC-RX100 is an enthusiast compact camera located around a 20MP 1″ CMOS detector. Likely because the first generation RX100 has been my daily go-anywhere camera, I admit to being highly partial to the design. ISO 200 shows a very minor drop in image quality as noise reduction ramps, but fine detail is still quite good. This sensor's design utilizes backside-illuminated technology to improve clarity and image quality. Pop-up OLED EVF. Overall, though, high ISO performance is much better than average for a pocket camera, though perhaps not quite a good as expected due to somewhat clumsy default JPEG processing. Not sure which camera to buy? Hue. June 2015 Sony Reviews Zeiss Nikon Canon Fuji LEICA All Reviews. The RX100 Mk IV is the same thing, but with a faster lens (f/1.8~2.8), a more limited zoom range (24~70mm) and no exposure compensation dial. You’ll never miss that moment again, Leica DC VARIO-ELMARIT lens - 24x zoom (25-600mm) with full zoom range F2. ISO 1600 prints warrant a reduction in size to 11 x 14 inches here. Aggressive default sharpening and noise processing results in visible noise and artifacts in the middle range ISOs that force a print size reduction compared to the mk II across 3 middle-range ISO settings. For a Sony Cyber-shot DSC-RX100 III Photo Gallery. Sony is preparing a launch for a new flagship Sony A9 III mirrorless camera, along with a new RX100 compact, in early 2021, according to new … At ISO 100 and 400, the GR III reaches 104 percent of its theoretical maximum and 103 percent at ISO 800. Use these numbers to compare with other cameras of similar resolution, or use them to see just what higher resolution can mean in terms of potential detail. As you can see, ACR produced quite a bit of additional detail that isn't present in the JPEG from the camera. Back, Sony DSC-RX100 Mark III. to the plus side or minus side, respectively (exposure compensation). Let your eyes be the ultimate judge! The Sony RX100 III required no exposure compensation while most cameras require about +0.3 EV for this scene, so the RX100 Mark III performed better than average in terms of exposure … 28-100mm equivalent F/1.8-4.9 lens. Exposure. Based on the exposure value set by auto exposure, you can make the entire image brighter or darker if you adjust [Exposure Comp.] Contact. Sony III: hidden features Introduction. Quick focus. ISO 3200 has results similar to 800/1600, where the mk III requires a size lower at default settings due to over-aggressive processing artifacts, and we can only call 8 x 10's good here. I use the ETTR method of exposure and really need to fine tune the histogram to get the best image quality." The Sony RX100 III and IV. ... Sony RX100 III. Compare a base ISO in-camera JPEG to an Adobe Camera Raw conversion below to see what we mean. Narrow coverage at wide angle isn't unusual, though, and some of the corner darkening is likely from the lens itself. collection of more pictorial photos, see our Usage Recommendations More. Focal length : f is equal to 8.8-25.7mm, Enhanced pro-video functions and NTSC switchable. 36 x 48 inch prints are fine for wall display purposes here. Chroma noise in the form of diffuse purple and/or yellow blotches is also visible in darker midtones and shadows. Since the RX100 Mark III's dynamic range is essentially the same as both of its predecessors, we decided to compare the Mark III to another 1"-type camera, the Nikon 1 J4, as well as to a more typical premium compact with a much smaller 1/1.7"-type sensor, the Canon S120. .1080 60p/24p HD video with full exposure control (MPEG-4/AVCHD)3.0 inch tiltable TFT LCD with 1,229,000 dots. How Does The Sony RX100 Compare To Other Cameras? re Histogram and exposure compensation. Exposure compensation is adjustable from -2 to +2 exposure equivalents (EV) in one-third-step increments by turning the Control dial while pressing the Exposure Compensation button, which … The cyan to blue shift is very common among the digital cameras we test; we think it's a deliberate choice by camera engineers to produce better-looking sky colors, and we don't find the resulting color objectionable. We shoot this test shot using the manufacturer-specified camera settings, at the range the company claims for the camera, to assess the validity of the specific claims. Some may argue for more, but aliasing artifacts start to interfere at that point. Panasonic LUMIX FZ1000 4K Point And Shoot Camera, ​Sony RX100 20.2 MP Premium Compact Digital Camera w/ 1-inch Sensor, 28-100mm ZEISS Zoom Lens, 3” LCD, Sony RX100 IV 20.1 MP Premium Compact Digital Camera w/ 1-inch Sensor, 4K Movies and 40x Super Slow Motion HD DSCRX100M4/B, Sony Cyber-Shot DSC-RX100 V 20.1 MP Digital Still Camera with 3" OLED, flip Screen, WiFi, and 1” Sensor DSCRX100M5/B, Sony RX100 VI 20.1 MP Premium Compact Digital Camera w/ 1-inch sensor, 24-200mm ZEISS zoom lens and pop-up OLED EVF (DSCRX100M6/B), PANASONIC LUMIX FZ1000 4K Point and Shoot Camera, 16X LEICA DC Vario-ELMARIT F2.8-4.0 Lens, 21.1 Megapixels, 1 Inch High Sensitivity Sensor, DMC-FZ1000 (USA BLACK), ​Canon PowerShot G9 X Mark II Compact Digital Camera w/1 Inch Sensor and 3inch LCD - Wi-Fi, NFC, Bluetooth Enabled (Silver), ​ Approximately 20.1 megapixels , Exmor CMOS Sensor, 28-100mm equivalent F/18-49 lens, ISO 125-6400 Expandable ISO 80, 100, and 25,600, 3-Inch LCD screen with 12M dots, Operating temperature:Approx. ... set exposure compensation… Sample Images Intro Specs Performance. And it's significantly better than the Nikon at low to moderate ISOs, with up to a ~1.7 EV advantage at the ISO 200 setting. As you can see from the above graph (click for a larger image), the Sony RX100 Mark III's dynamic range is quite good, ranging from 12.27 EV at the lowest ISO, to a 6.55 EV at the highest. The Sony RX100 III is without a doubt the best pocket camera currently available. ISO 6400 produces a good 5 x 7 inch print, bringing it back in stride with the mk II. Imaging Resource © 1998 - 2020. NEW: All Sony Cameras Compared . Visit our Comparometer(tm) For the technically-minded, you can find a discussion of the reasoning behind this here on the DxOMark website. At ISO 800, luminance noise is more noticeable, accentuated by fairly aggressive sharpening, but chroma noise is still welll-controlled. The RX100 II was such a big leap ahead for what a premium compact could achieve in low light performance, so we'd hoped for the trend to continue but, at least with JPEG print quality, this is not the case. Read this on a B&H review: "The histogram disappears from the screen when using exposure compensation. In the diagram above, the squares show the original color, and the circles show the color that the camera captured. View full Sony Cyber-shot RX100 III specs on CNET. Also note that DxO Labs uses a signal-to-noise (SNR) threshold of 1 when defining the lower boundary of acceptable luminance noise in their dynamic range measurements, which corresponds to the "Low Quality" threshold of the Imatest software we used to use for this measurement. The crop above right shows good detail for the class of camera, with moderate levels noise suppression in the darkest areas of the mannequins's hair, and almost no chroma noise. Interestingly, the advantage compared to the Canon S120 isn't that great at low ISOs, with the S120 managing 11.86 EV of dynamic range versus the RX100 M3's 12.27 EV, but the Sony slowly pulls ahead with more than a full EV advantage at the highest ISOs. ISO 200 also prints a good 24 x 36 inch print, with only the mildest hint of noise apparent in flatter areas of our test target. This website uses cookies to ensure you get the best experience on our website. The Sony RX100 III shifts cyan toward blue, orange toward yellow, and yellow toward green by moderate amounts, but most other shifts are very minor. Saturation. Excellent high ISO performance. Complete extinction of the pattern didn't occur until about 3,200 to 3,400 lines. Raw/JPEG/ Raw+JPEG. Sample Images top. 8 aperture for enhanced low light shooting meeting the stringent quality standards established by Leica, High image quality - The 12. We no longer test flash coverage at telephoto, as it is invariably better, making wide angle the worst case scenario. Results in full auto mode were however very bright and almost washed out, though the Sony RX100 III raised ISO to 400 to achieve that. ​1.0-Inch, 20.1 Megapixel* High-sensitivity CMOS sensor. Still, it's an amazing camera for its size, even with the slight step back from its predecessor in low light JPEG image quality, and RAW shooters will still enjoy arguably the best image quality the form factor has to offer to date. COVID-19. Compared to its predecessor, Sony now uses a faster f/1.8 – f/2.8 variable aperture 24-70mm fixed lens and the latest Bionz X processor. 20x, 5M approx. Also keep in mind the Mk III's faster lens above approximately 35mm equivalent, giving it improved light-gathering capability and therefore better low-light performance potential when shooting wide open. Your email address will not be published. Very good 24 x 36 inch prints at ISO 80/125/200; a good 11 x 14 at ISO 1600; a nice 4 x 6 at ISO 12,800. The LCD flips. DxO's approach based on RAW data before demosaicing is also more revealing, because it measures the fundamental dynamic range of the sensor, irrespective of whatever processing is applied to JPEGs, or to RAW data by off-the-shelf conversion software. ISO & Noise PerformanceVery good high ISO performance for a camera its size, though perhaps not quite a good as its predecessor (at least in JPEGs). Click here to visit the DxOMark page for the Sony RX100 III for more of their test results and additional comparisons. Built-in WiFi and NFC for sharing and remote camera control. Dynamic Range Analysis (RAW mode)While we once performed our own dynamic range measurements based on in-camera JPEGs as well as converted RAW images (when the camera was supported by Adobe Camera Raw), we've switched to using DxO Labs' results from their DxOMark website. But as is usually the case, more noise can be seen in the RAW conversion particularly in flat areas as shown in the bottle crop, thanks to ACR's light default noise reduction. Programming the front lens-surround ring to exposure compensation makes this combination work extremely well. It sports a Zeiss-branded 28-100mm equivalent F1.8-4.9 stabilized lens comprising Zeiss T* coatings to minimize internal reflection. The Manual setting was the most accurate, just slightly on the cool side with a very minor green shift. your own eyes decide which you like best! Sony Cyber-shot DSC-RX100 II. ... Sony Cyber-shot DSC-RX100 III. But even the small things have been enhanced on the Mark III. Slow-sync mode was brighter as you'd expect, with its slow shutter speed of 1/5s capturing more of the warm, ambient light. cameras you may be considering. The RX100 III's overall color saturation (8.1% oversaturated) is a little lower than average these days, but the camera generally produces attractive yet realistic colors in its images. ISO 80/125 yield a good 24 x 36 inch print, with nice detail, depth, contrast and color. Dial in a suitable Aperture value from F/5.6. See the Print Quality section below for our evaluation of maximum print sizes at each ISO setting. See next! The RX100 III produces very crisp, sharp looking images without obvious sharpening haloes, but Sony's revised area-specific noise reduction and sharpening algorithms can lead to some unnatural or slightly crude looking results (see RAW conversion example below). ISO 800 shows a bit too much noise in these same low contrast areas to call a 16 x 20 inch print "good" here, as we did with the previous two RX100 models, though it's certainly usable for less critical applications. Sharpness & DetailCrisp images with good detail, but area-specific noise reduction and sharpening can produce an overprocessed look, especially at higher ISOs. Where the RX100 II was able to yield a good 13 x 19, noise levels prevent that size here in the mk III. (Note: The RX100 III also has a Kelvin Temperature White Balance option, however we did not test that mode.) Ultra-slim, lightweight and pocket-size camera. • At ISO 6400, the GR III’s resolution drops to 90 percent of the theoretical maximum and to 85 percent at ISO 12,800. Wi-Fi with NFC. Your Sony RX100 II camera video manual. The Sony RX100 III takes a slight step backwards in the JPEG print quality department as compared to the great strides the RX100 II made. Noni and Pops at Five Crowns, 17 June 2015. This perfect pocket camera combines stunning 20.1 MP image quality, electronic viewfinder & bright ZEISS® lens. Compared to the Sony RX100 Mk IV. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. 28x, VGA approx. Exposure Compensation: +/- 3.0 EV, 1/3 EV step; 20.2 MP Exmor"CMOS sensor - extreme low-light shots; Bright F1.8 Carl Zeiss Vario-Sonnar T lens with 3.6x zoom Check Price. ISO 400 shots are good at 20 x 30 inches, again with only minor but acceptable noise in shadowy areas of our target. (In other words, if you've decided to make a 13x19 inch print, that's the size you're printing, whether the camera's resolution is 16 or 300 megapixels.) Noise-suppression systems in digital cameras tend to flatten-out detail in areas of subtle contrast. Bottom line: You can do noticeably better than the camera with a good RAW converter, provided you're willing to apply your own noise reduction and sharpening to taste. 49'2" is too long for our lab but at the range specified at full telephoto above, the Sony RX100 Mark III produced a well-exposed flash target, though it boosted ISO to 2000 to achieve that result. This is simply because most people like their color a bit brighter than life. Steady-Shot image stabilization. Sony RX100 has the same height and width with Sony RX100 III. It's very likely that conversions from RAW files will yield larger sizes and restore parity with the mk II, though. ISO 400 shows an additional small step down in detail with very good overall image quality, but stronger sharpening attempts to compensate, making luminance noise more visible in some flatter areas. With a mean "delta-C" color error of 5.75 after correction for saturation, hue accuracy is slightly below average, but still pretty good overall. Extensive features in a sleek camera, Dimension: 1016 mm x 581 mm x 359 mm, Weight: 213g (75 oz). Sony RX100 III has external dimensions of 102 x 58 x 41 mm (4.02 x 2.28 x 1.61″) and weighs 290 g (0.64 lb / 10.23 oz) (including batteries). They both handle the same, with the same menu and control system and very similar controls. 0-40°C (32-104°F).Super-speed Anti-Distortion Shutter at max 1/32000 sec up to 16fps, Bright F18- F28 ZEISS Vario-Sonar T* lens (24-70mm), Fast Intelligent AF thanks to the new Exmor RS CMOS sensor, Retractable XGA OLED Tru-Finer viewfinder and Sharp 3" multi-angle LCD, Simple connectivity to smartphones via Wi-Fi and NFC w/ camera apps, Dual record of 168MP photos while shooting movie w/ auto settings. Press the shutter button on the app to start the exposure. Hue changes as you travel around the center. The Sony RX100 required +0.3 EV positive exposure compensation here, which is about average. Large, titling LCD. Sharpness. 14x, 10M approx. Manufacturer Specified Flash Range Test. Coverage. Image quality drops off very quickly from here, with ISOs 6400 and 12,800 looking more like impressionistic paintings than photos, with an almost hammered looked to flatter areas. Saturation & Hue Accuracy Slightly below average saturation levels and hue accuracy. ISO 12,800 yields a good 4 x 6 inch print, again in stride with the mk II and capable of a good print at its highest ISO setting (not all camera models can do that!). You can of course apply stronger noise reduction (default ACR NR used here) to arrive at your ideal noise versus detail tradeoff. ​ 20.2 MP 1"-type Exmor R CMOS sensor. bigger. Most consumer digital cameras produce color that's more highly saturated (more intense) than found in the original subjects. Rear control dial and customizable front control ring. You can of course tweak saturation to your liking, or choose a different color mode.

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2020-12-08T10:27:08+00:00